THEATRE AND VIDEO REEL

CORPORATE REEL


2021 BROADWAY WORLD
BEST PLAY OF THE DECADE - TWIN CITIES
 

 
by Moises Kaufman

33 Variations 

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"Rocco does a masterful job." 

Bev Wolf, Twin Cities Daily Planet

"Director James Rocco has provided all the right moves, a not to be missed production." 

Talkin' Broadway

JESUS
CHRIST SUPERSTAR

"Stirring and memorable”

- The LA Times

 

“Triumphant.”

- The San Diego Union

DAMN YANKEES

 by  George Abbott, Richard Adler & Jerry Ross

Directed & Reconceived by James A Rocco 

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 Breaks Racial Barriers

John Townsend, Lavendar

 

(Rocco) Knocks it out of the park.

Star Tribune

 

"Pretty close to perfect in every way."

Chris Hewitt,  Twin Cities Com

IN THE HEIGHTS

by Lin Manuel Miranda, Quiara Alegria Hudes

Directed by James A Rocco

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BEST OF THE YEAR

Twin Cities Arts Reader

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BEST PRODUCTION

MN Theatre Awards

THE PIRATES

OF PENZANCE

 by Gilbert & Sullivan

Directed by James A Rocco

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"It may be time for Pirates to

set sail for major ports of call." 

Arthur Dorman, Talkin' Broadway

"Rocco goes for the gusto in every moment."

Misha Berson, The Seattle Times

JOSEPH...

by Andrew Lloyd Webber and Tim Rice

Directed and Choreographed by

The 2 Jaymies

James A Rocco and Jayme McDaniel

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"This production could be the bar

by which all others are judged.

Stunning!"

Broadway World

 GREY GARDENS 

(MidWest Premiere)

 by  Doug Wright, Michael Korie & Scott Frank

Directed by The 2 Jaymies

James A Rocco and Jayme McDaniel

Best of the Year 

"Creates a vibrant vision while infusing

a crisp quirky sense of surrealism."

John Townsend, Lavender Magazine

 SINGIN' IN THE RAIN

 by Comden & Greene

Directed by James A Rocco

"Entrancingly staged...

In a league of its own." 

The New York Times

 YANKEE DOODLE 

(World Premiere)

 by David Armstrong, Albert Evans & George M. Cohen

Directed & Choreographed by James A Rocco

 

"A knockout!  

Variety

 

"A panorama of musical images...it is dazzlingly clear the visual language of American Musical Theatre is as powerful as its sounds.

The NY Times